leggo my eggle

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I took a portrait class about a year ago and the teacher said a lot of my work resembled that of William Eggleston’s — a photographer known for his mastery of taking pictures of the ordinary. At the time, I was not as impressed with the importance of Eggleston’s work and had troubles identifying my work with his. I have since been more receptive and eager to learn about other noted photographers and today felt ready to revisit Eggleston’s work on display at the Whitney Museum of American Art. Eggleston says, “I had this notion of what I called a democratic way of looking around: that nothing was more important or less important.” Every detail, no matter how insignificant takes on meaning. It’s taken me a while to get to this point but I’m glad I see the resemblance, but at the same time, the differences are even more pronounced — a sign that my work says Wendy, not William.







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